The Feminist And Reality Theory Like Water For Chocolate

Abstract Set in Mexico at the turn of the 20th century, Laura Esquivel’s contemporary novel, Like Water for Chocolate, centers on the youngest daughter of the De la Garza family, Tita, whose familial position predestines her to remain at home, unmarried, and in charge of the life-long care of her authoritarian mother, Mama Elena. The conflict arises when Tita falls in love with Pedro and is denied both marriage and influence over her own affairs. Ultimately, Tita finds a voice through the elaborate, magical recipes she creates, thereby challenging gender suppression by speaking through the stereotypical women’s sphere of cooking (Tyrer, 2011). These recipes and their fantastic results mirror and reinforce the central theme of the novel, that of suppression of the female voice and its inevitable explosion of expression (Uychoco, 2012). The goal of this application paper is to provide an analysis of Tita de la Garza role in the novel and movie through the application of the Femini st and Reality Theory. Like Water for Chocolate Application Paper Like Water for Chocolate can be broken into the stories of two women, Tita De La Garza and her mother, Mama Elena. The trajectory of their struggle against one another sets the tone in both the movie and novel. Tita, the leading character, strives for love, freedom, and individuality, and Mama Elena, the antagonist, stands as the prime opposition to the fulfillment of these goals (Uychoco, 2012). 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